What are Teruteru Bōzu?

Translated and sourced from Yokai Jiten and other sources.

Teruteru Bozu, the small tissue-paper men, are a not unusual site on overcast days in Japan. Looking exactly like the tissue-paper ghosts American children make on Halloween, they hang from the eaves of houses, each one a wish for sunny weather from a child who wants to go outside and play.

But what the children don’t know—and most likely the parents don’t know either—is that what looks like a simple folk-custom is actually a prayer to ancient Chinese gods and to one of Japan’s monster clan, the yokai called Hiyoribo.

Hiyoribo (日和坊)– The Weather Monk

Hiyoribo is a legend that has been passed down for many years in Japan. He is said to come from the mountains of Hitachi-no-kuni—modern day Chiba prefecture—and his season is the summertime. Hiyoribo is said to be a yokai who brings sunny weather, and who cannot be seen on rainy days.

Toriyama Seiken illustrated the Hiyoribo in his picture-scroll “Supplement to the Hundred Demons of the Past,” and explained that this yokai was the origin of teruteru bozu. He said that when children hang up teruteru bozu and pray to them to bring sunshine into the rain, it is actually the spirit of the Hiyoribo that they are praying to.

Teruteru bozu (てるてる坊主) – The Sunshine Monk

Teruteru bozu are made from white cloth or tissue bound together with a bit of string. They are usually hung upright from the eaves of a house, and are used as talisman in the hopes that tomorrow will bring good weather.

In some areas of Japan the dolls are used by farmers on days when they hope for rain instead of sun. The dolls are are hung head-downwards and called furefure bozu or ameame bozu (both meaning roughly The Rain Monk) or ruterute bozu which is simply teruteru bozu said backwards.

And although teruteru bozu is the most common name, they are also known as teretere bozu and sometimes hiyori bozu. Researcher Miyata Noboru has found that in certain places in West Japan they are still called Hiyoribo and remembered as yokai.

Teruteru bozu appeared around the middle of the Edo period in Japan. In the book “Kiyu Shoran” (Inspection of Diversions) the author writes of the custom that if the teruteru bozu is successful, and the following day is clear, then its head is washed with sacred sake and the doll is sent into a river to be washed away. In Edo period Japan, rivers were thought to connect to the afterlife and the realm of the gods, so sending the teruteru bozu down the river was returning it home in the same way that candles and lanterns were floated down the river during Obon, the Festival of the Dead. There was also a custom where—as with Daruma dolls—a face was only drawn on the teruteru bozu if it had been successful in bringing fair weather.

The origins of the custom are vague. Some say that it comes from China, where untou ningyo (cloud-clearing dolls) and ameku musume (rain banishing girls) are just a few of the similar customs that can be found. Folklorist Fujizawa Morihiko sees the origin of both the yokai Hiyoribo and the teruteru bozu in a Chinese drought-god with similar properties.

The Teruteru bozu Song

Like many Japanese customs, there is a warabe uta—a folksong. The lyrics are allegedly about a story of a monk who promised farmers to stop rain and bring clear weather during a prolonged period of rain which was ruining crops. When the monk failed to bring sunshine, he was executed.

Japanese:
てるてるぼうず、てるぼうず
明日天気にしてをくれ
いつかの夢の空のよに
晴れたら金の鈴あげよ

てるてるぼうず、てるぼうず
明日天気にしてをくれ
私の願いを聞いたなら
甘いお酒をたんと飲ましょ

てるてるぼうず、てるぼうず
明日天気にしてをくれ
それでも曇って泣いてたら
そなたの首をちょんと切るぞ

Romaji:

Teru-teru-bōzu, teru bōzu
Ashita tenki ni shite o-kure
Itsuka no yume no sora no yo ni
Haretara kin no suzu ageyo

Teru-teru-bōzu, teru bōzu
Ashita tenki ni shite o-kure
Watashi no negai wo kiita nara
Amai o-sake wo tanto nomasho

Teru-teru-bōzu, teru bōzu
Ashita tenki ni shite o-kure
Sore de mo kumotte naitetara
Sonata no kubi wo chon to kiru zo

Translation:
Teru-teru-bozu, teru bozu
Do make tomorrow a sunny day
Like the sky in a dream sometime
If it’s sunny I’ll give you a golden bell

Teru-teru-bozu, teru bozu
Do make tomorrow a sunny day
If you make my wish come true
We’ll drink lots of sweet sake

Teru-teru-bozu, teru bozu
Do make tomorrow a sunny day
but if it’s cloudy and I find you crying (i.e. it’s raining)
Then I shall snip your head off

Hokusai’s Manga Yurei

This is in response to a reader question about a particular yurei picture, specifically Hokusai’s manga yurei.

Katsushika Hokusai is probably Japan’s best-known artist internationally. His print The Great Wave off Kanagawa, from the woodblock print series Thirty-six Views of Mount Fuji, is without a doubt the most famous work of Japanese art. Like most artists in the Edo period, Hokusai illustrated supernatural scenes from famous kabuki plays and popular hyakumonogatari kaidankai tales. In 1831, he created five prints in a hyakumonogatari series that are still some of the most famous Japanese ghost prints.

The particular yurei in question, however, comes from a different period in his life. In 1811, at the age of 51, Hokusai changed his professional name to Taito, and began work on a series of sketchbooks and small images he called manga. The word manga (漫 画) translates directly to “frivolous pictures,” and Hokusai’s manga series were originally meant to be a quick money-making venture that would attract new students. The manga series was very popular, and Hokusai created fifteen volumes in total.

This yurei image comes from the 13th volume, one of the three not published during Hokusai’s lifetime. This yurei is not from any particular story, but just seems to be a “frivolous picture” of a yurei that Hokusai drew. The text next to the picture say simply yurei, with no other identification. It is a very usual depiction of a yurei in that it is winsome rather than scary. But it does include the standard Edo period yurei characteristics of pale skin, white kimono, black hair, and no feet.

The yurei is part of a four-paneled series of mythological creatures. The yurei is in the top left, with a picture of a Yamauba underneath. On the right side in the top left is a tengu, and underneath that is a mountain yokai called a Hihi. Hihi is the Japanese word for baboon, and at the time a baboon was no less a fantastical creature than a mermaid or tengu.

It is clear from looking at the original that the picture has been color-corrected. The original impressions from Hokusai’s manga series were three-colored, black, gray, and pale flesh.

What is the Triangle Headband Japanese Ghosts Wear?

What are those odd, triangle-shaped hats or headbands worn by some Japanese ghosts? That is a difficult question to answer because, while there are several opinions, nobody really knows.

The triangular, white corpse-hat consists of a small strip of cloth, cut or folded into a triangle, which covers the forehead and wraps around the back of the head. It works like a headband, and the Japanese use the word boshi (hat) or nuno (cloth) when describing it. The cloth is not a consistent item on the costume of a yurei, a Japanese ghost. As with everything else in life, burial fads come and go. Although the white burial kimono, called a kyōkatabira, has stayed the same for centuries, the same thing cannot be said about the cloth.

The cloth appeared around the Heian period and yurei-e (ghost pictures) from this era often show yurei wearing the cloth. It is possible the corpse-hat was based on the Heian period eboshi hat that was popular at the time. Whatever its origins, the custom seems to have vanished by the Edo period. It is worth noting that in Maruyama Ōkyo’s famous painting “The Ghost of Oyuki,” considered an accurate portrait of a yurei, Oyuki does not wear the cloth. In modern times, the cloth has become particularly associated with the sea ghosts called funa yurei, who always wear it.

I keep calling it “the cloth” because there is no specific word for it. The cloth goes by multiple names. The most grandiose term is tenkan, meaning heaven’s crown. The most commonplace is zukin, which is a standard word for hood or kerchief. Several of terms are simple and descriptive, like hitaieboshi meaning forehead hat, or hitaikakushi meaning forehead-hider and kamikakushi meaning hair-hider. The most basic term of all is sankaku no shiroi nuno. This means triangle-shaped white cloth.

The meaning of the cloth is speculative, although there are two main theories why it came into fashion. One says that the dead have ascended to a higher level, and thus the tenkan (heaven’s crown) is placed upon their heads to show their new status. Another says that the sharp point of the triangle wards off evil spirits or demons from entering the now-empty body from the head and resurrecting the corpse or preventing the spirit’s transition.

In all likelihood, there is some truth in both of these explanations.

Further Reading:

Check out other yurei tales from hyakumonogatari.com:

How Do You Say Ghost in Japanese?

Goryo Shinko – The Religion of Ghosts

Why do Japanese Ghosts Not Have Feet?

The Yurei Child

How Do You Say Ghost in Japanese?

A question I am commonly asked is, “What is the Japanese word for ghost?”  However, what seems a simple question is actually complicated.

Ghost. Spirit. Specter. Wraith. Revenant. Several words in the English language describe souls of the dead who have not moved on to the afterlife. Many of these come from other languages; like ghost, which has its probable roots in the pre-Germanic word ghoizdoz, meaning fury or anger; or spirit from the Latin spiritus meaning breath.  Then there are more direct loan words, such as the Dutch spōk (spook), or the French phantom, or the Scottish wraith.  Each word can mean “ghost,” but each word carries a different nuance or flavor.

Some words are even more specific. Poltergeist combines the German words poltern meaning to rumble or to make noise and geist
meaning spirit or ghost.  Put the two words together and you have a very specific entity that cannot be mistaken for some other type of ghost.  A poltergeist is only ever a poltergeist.

A country as obsessed with ghosts as Japan is obviously going to have more than a single word.  Just as in English, there are several words meaning “ghost,” but each with a different usage and feel.

All(most) all Japanese words for ghost use some variation on the kanji .  霊 can be read as either –rei or –ryō (or tama, or mitama, or –ki — no one ever said Japanese was easy).  Whatever the pronunciation, 霊 always retains the rough meaning of spirit.

Here is a list and definition of all the Japanese words for ghost that I know.  I am sure the list must be incomplete:

___________________________________

幽霊 – yūrei – 幽 (dim) +霊 (spirit) – Probably the most common Japanese word for ghost, yūrei translates pretty happily as dim
spirit.  This seems like an obvious explanation – ghosts are see-through, after all – but the word has a further connection.  One of the words of the land of the dead in Japanese is 霊の世界 Yū no Seikai – The Dim Land.

亡霊 – bōrei – 亡 (departed) +霊 (spirit) – Bōrei is the Gothic term for ghost in Japanese, meaning ruined or departed spirit.  This is the word with the most literary overtones. Probably the best example is Japanese translations of Shakespeare where the ghost of Hamlet’s father is called Hamlet no Bōrei.

心霊 – shinrei – 心 (heart) +霊 (spirit) – Shinrei is the term preferred by spiritualists in Japan, and carries a more mystical feel.

精霊 – seirei/shōryō – 精 (vitality) +霊 (spirit) – This combination of kanji has religious connotations.  When pronounced, seirei, it is most likely talking about Western ghosts. When pronounced shōryō it has Buddhist connotations.

聖霊 – seirei – 聖 (holy) +霊 (spirit) – The same pronunciation as seirei above, but changing the kanji makes the word for the Holy Ghost of Christianity.

死霊 – shiryō – 死 (dead) +霊 (spirit) – Because it has the kanji for “death” right there in the front, shiryō is a little bit scarier term for a ghost in Japanese.

生霊 – ikiryō – 生 (living) +霊 (spirit) – Ikiryō is a specific term for a person who releases their ghost-energy while still alive.  It is a rare manifestation, seen mainly in The Tale of Genji.

怨霊 – onryō – 怨 (grudge) +霊 (spirit) – A popular figure in J-Horror flicks, onryō are ghosts who died with some lingering grudge, and seek revenge against those who wronged them.

騒霊 –sōrei – 騒 (disruptive) +霊 (spirit) – This is a rarely-used term for poltergeist, meaning ghosts who just rattle the chandeliers and move chairs around.  In modern Japan, most people would just use the loan-word poltergeist.

祖霊 – sorei – 祖 (ancestor) +霊 (spirit) – Similar pronunciation as above, but with a long vowel and and a drastically different kanji.  Sorei are ancestor spirits who protect the living, and are deeply honored.

神霊 – shinrei – 神 (shrine) +霊 (spirit) – Another rarely used term, this refers to the spirits of Shinto shrines.

悪霊 – akuryō – 悪 (bad) +霊 (spirit) – This is a somewhat loaded term that mean’s simply “bad spirit.”  It carries a more Western feel to it, and could be applied to devils as well as ghosts.

英霊 – eirei – 英 (heroic) +霊 (spirit) – Spirits of the war dead/heroes.

お化け/化け物  – obake/bakemono  お化け (changing) +  物 (thing) – The terms refer not specifically to yūrei but translate in usage to something closer to supernatural creature.  Obake and bakemono use the kanji 化 (bakeru) which carries the meaning of to adopt a disguise or change form, with the implication of changing for the worse.

Further Reading:

Check out other yurei tales from hyakumonogatari.com:

What Does Yokai Mean in English?

What is the Triangle Headband Japanese Ghosts Wear?

Goryo Shinko – The Religion of Ghosts

Why do Japanese Ghosts Not Have Feet?

The Yurei Child

Goryo Shinko – The Religion of Ghosts

Translated and Adapted from Mishu Shukyo Shisosho

From ancient times, the Japanese attributed natural disasters and plagues to the handiwork of onryo, grudge-bearing spirits of the dead who had died by violence or some other unnatural circumstance.  In order to transform these onryo from horrors into benign deities that would use their powers for the peace and prosperity, the Japanese created Goryo Shinko, the Religion of Ghosts.

About the Spirit

Spirits or souls separating from their bodies at death is a common belief across the world.  Japan is no exception.    From as far back as the distant history of the Jomon period, the Japanese have built their spiritual beliefs on ghosts and the grave.   The unleashed soul, called mitama or tameshi in Japanese, could cause an array of misfortunes.   Of particular danger were the spirits of those who died due to political intrigue, or who were defeated in war.  These spirits inflicted their revenge upon their still-living enemies.   During the Heian period, folk beliefs and rituals dealing with the wrathful dead formalized into a religion.

From Onryo to Goryo

During times of national instability, when political strife and battle dominated the country, the threat of onryo loomed large.  Any who died amidst the chaos were capable of sustaining a powerful hatred.   And this hatred was unfocused.  Onryo did not limit their revenge to those whom had wronged them in life.  The method of an onryo’s revenge; plague, fire and earthquake, did not allow for such precise targeting.

The Heian period is full of examples of these wrathful ghosts, onryo, mostly high-born and privileged in life. Fujiwara Hirotsugu, Prince Sawara, and Prince Osabe were all considered to have transformed into onryo their deaths.   To calm their raging spirits, they were posthumously raised in court rank and title, then enshrined as kami in Shinto shrines.  These rituals, it was said, transformed them from destroyers into protectors of after Japan.

This, in essence, is Goryo Shinko; the transformation of wrathful ghosts into protective entities via ritual and entitlement.  During the Heian period this religion was so pervasive there was even a ceremony in the Imperial Court welcoming new spirits into the ranks of protective spirits. According to official documents, the first such ceremony confirming goryo was on May 20th in 863CE (The 5th year of the Jyogan Era), held in Shinsenen. (From the Nihon Sandai Jitsuroku).

Examples of Goryo Shinko survive to modern Japan.  Kyoto has two ancient temples that remain devoted to Goryo Shinko: the Upper and Lower Goryo Shrines.  The Upper Goryo Shrine enshrines the Hassho Goryo (The Goryo of the Eight Districts): Emperor Sudo (Prince Sawara, son of Emperor Konin), Emperess Inoenai (Wife of Emperor Konin), Prince Osabe (Son of Emperor Konin), Fujiwara Daibunin (Fujiwara Yoshiko, mother of Prince Iyoshin), Tachibana Daibu (Tachibana Hayanari), Budaifu (Bunya Miyatamaru), the diety Honoikatzu (Sugawara Michizane), and Kibi Daijin (Kibi Makibi).  Also enshrined are Prince Shoshin, the Government Inspectors for China (Fujiwara Nakanai and Fujiwara Hirotsugu), the Emperor Sotoku, Fujiwara Yorinaga (known as the Badman of Uji), Emperor Antoku, Emperor Jyuntoku and Emperor Tsuchimikado.

While Goryo Shinko is identified with the Heian period, and the earliest records of Goryo Shinko date to this time, there is speculation that the religion was based on older traditions. Looking at purely historical records, the first known account of an onryo was Fujiwara Hirotsugu, written about in Genbo’s military history “Shoku-Nihongi”
(“The Continued Chronicles of Japan”). But there are other opinions.

In his book “Kakushita Jyujika” (“The Hidden Cross”), author Umehara Takeshi makes the unlikely (and wholly unsupported) claim that the Buddhist Prince Shotoku Taishi was an early onryo.  Another author, Yaegashi Naohiki, sees evidence of onryo activity in the decline of the heads of the Soga clan (Soga Emishi and Soga Iruke).  Another candidate for pre-Heian period onryo is put forward by Ootsu Miko, who identifies Tada Kazuomi in her books “Fusouryakuki” (“An Record of the Approximation of the Lands East of China”) and “Yakushiengi” (“The Omen of Yakushi Temple”).  Ootsu says that the true causes of historical events can be placed on karma coming back to us from future lives.   Each of these writers have some grounds for argument in their individual accounts.

Another more likely candidate is put forth by Terasaki Yasuhiro, who wrote in “Jinbutsu Sousho” (“A Library of Humanity”) that the death by small pox of four children of the Fujiwara clan was cause by the onryo of Nagaya Ookimi.  However, this still sets Goryo Shinko in the Heian period, as Nagaya Ookimi was a contemporary of Fujiwara Hirotsugu, and both of their stories were featured in Heian period compilations like “Shoku Nihongi.”  Timewise, there isn’t much difference between the two, and whether Ookimi or Hirotsugu were first, there is scant hard evidence of onryo from any period before the Heian and Nara periods.

Based not on evidence, but purely on philosophical terms, the author the author Izawa Motohiro, in his book “Gyakusetsu no Nihonshi” (“An Alternate Explanation of Japanese History”), writes that the dangerous nature of improperly worshiped ghosts is native to Japan.  It runs contrary to the influences of the ancestor cult from China.
While Izawa confirms that the Heian period is the beginning for formalized worship, he names the earlier collection of folkbeliefs Pre-Onryo Shinko.  Iwaza also uses Nagaya Ookimi and the deaths of the four Fujiwara children as an example, showing that belief in onryo existed prior to the formalized religion of the Heian period.  Izawa further advocates that Goryo Shinko should properly be called Japanese Onryo Shinko.  In truth, Izawa’s theories almost perfectly reflect statements made previously by author Umehara Takeshi.

There are many theories, but few actual articles written on ancient onryo.  One of the most basic descriptions was made by the monk Jien, who wrote that an onryo was only as powerful as its reason for appearing.  Once the spirit’s claims had been settled, it would be appeased and cease to trouble the world.  Jien’s description remains accurate, and this basic description has carried through from ancient times through Japan’s middle ages and beyond.

Goryo Shinko declined with the advent of Buddhism in Japan, during the Wars of the Northern and Southern Courts.  Buddhism’s rituals and beliefs gradually supplanted the Shinto beliefs of the Heian period, although they never vanished entirely.  In shrines such as Yanbekimiyori (Warei Jinja) and Sakura-sotzuro (Sougorei-do), goryo
were regularly enshrined and worshiped.  And even with the dominant influence of Buddhism, in the “Taiheiki” (“Record of the Taihei Clan”) the violence fo the War of the Northern and Southern Courts was said to be influenced by onryo.  The power of the dead was still blamed for the many great social upheavals in Japan.   The Genpei Gassen, were said to be caused by the onryo of Sutokuin, and still more onryo-derived conflicts are recorded in the “Hogen Monogatari” and the “Heike Monogatari.”

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