Inen – The Possessing Japanese Ghost

Translated from Mizuki Shigeru’s Mujyara

In Saisetan, located on Fukue island in the Goto archipelago of Nagasaki prefecture, there are legends of things that have the power to enter and possess humans. These things (ikiryo, shiryo, dobutsu-rei, kappa, and the curses of various deities of Shinto and Buddhism) are called inen. They cause various illnesses, changes in personality, and spiritual distress. There is also a type of shaman who can speak directly to the inen, interpreting their demands and negotiating the price that must be paid. These shamans are known as Honin.

At one time, there was the wife of a farmer who had a strange growth on the side of her body under her armpit. It was painful, and because of the tumor she couldn’t sleep at night. She went to the doctor and had the malignant growth removed several times, but it always grew back. Three times she was operated on, and with no success. She finally paid a call on a honin. The honin said “In your house there are many spirits. These are not the beneficial spirits of your ancestors. They are desperate things who want something from you. It is the spirits who have caused this growth on your body. Here is what you must do to appease them. Go home, make a great feast, and set it on your largest plate. Set the plate under a large tree near your house and leave it there, making the proper supplications to the spirits.”

It was long the tradition of the village that the once-prosperous farmer’s wife’s house was built on top of an ancient graveyard. The spirits interred there wanted the humans to honor them and hold regular memorial services, and they made their desires known by causing illnesses such as skin diseases, tumors, and even insanity.

You can read more details about inen in the book “Spiritual and Magical Powers” by Sasaki Miki.

Translator’s Note:

The word inen is written in katakana, and thus has no meaning other than being a name.

The Gratitude-Expressing Yurei

Translated from Mizuki Shigeru’s Mujyara

This took place sometime during the Meiwa era (1764-1772). In Shimabara, there was a famous courtesan named Uriuno. She had been redeemed from the Tomiya house, and now lived in the vicinity of Takatsuji.

One night, Uriuno was awakened by a strange noise. When she listened closer, she could faintly hear the sound of footsteps. It sounded as if someone was approaching her bedroom from the garden just outdoors.

“Good Evening. Is someone out for a stroll tonight” Uriuno called out, thinking this was a very strange thing indeed and strained her ears for an answer.

The answer came at last with a rattle of the paper screens that served as a wall between Uriuno’s bedroom and the garden, and the figure of a woman projected like a shadow against those screens. The mysterious shape bowed down and whispered expressions of gratitude to Uriuno. Just as Uriuno was about to raise her voice in response, the figure blinked out of existence.

When the mysterious apparition had vanished, Uriuno suddenly recalled an odd encounter she had when she still worked in the red light district. One night, a maid of the Tomiya was looking at Uriuno as if she had something very important to say. But Uriuno did not get a chance to hear her, as the maid soon fell terribly ill and fainted dead away. For several days and nights, the maid went in and out of consciousness, and then she spent her final breath saying that she needed to see Uriuno and tell her something. But it was too late.

Uriuno thought about the shape of the figure projected on her screens, and felt that there was no mistake about it. That figure must have been the ghost of that maid of Tomiya. It could be no one else.

Secrets of the Yokai II

Translated from Mizuki Shigeru’s Yokai Daihyakka

How are Yokai born?

It is said that the vast majority of Yokai are born from the emotions of human, especially the powerful emotions of fear, yearning or hate.

But there are other ways for a Yokai to come into being:

1. From the violence of natural disasters such as floods, earthquakes, windstorms or volcanic eruptions.

2.  From the fear of dying accompanying disease and dire poverty.

3. From fear of animals, especially the terror humans feel at the prospect of being eaten by some beast.

4. From plants with lifespans that outstrip humans, like cedar and pine trees.  It was thought that these trees would live forever, and there was a desire of humans to believe in something that had power over death, something indestructible.

5. From human belief in superstitions and stories, or the teachings of religions.  There are things that scientific knowledge cannot explain, and it is there that Yokai are born.

Further Reading:

For more information about yokai and their meaning, check out:

What Does Yokai Mean in English?

A Brief History of Yokai

Secrets of the Yokai – Types of Yokai

Secrets of the Yokai – Types of Yokai

Translated from Mizuki Shigeru’s Yokai Daihyakka

What is the difference between Yokai and Obake?

Generally speaking, yokai and obake are two words that mean the same thing.   If a distinction must be made, it could be said that obake are those creatures which somehow change from one form to another (the Japanese word bakeru which forms the root of obake means to change for the worse, or adopt a disguise).

Examples are transforming kitsune (foxes) or of the dead people whose lingering grudges cause them to appear as yurei, or a myriad of other shape-changers.

What kinds of Yokai are there?

If you wanted to organize yokai by large categories,  it could be said that there are Yurei (spirits of the dead) Kaiju (monsters), Henge (shape-changers) and Choshizen (supernatural phenomena).

A chart would look like this:

 Yokai

Yurei  Kaiju  Henge  Choshizen
Examples are hitodama, borei and shiryo, and onryo.  The spirits of humans still lingering on Earth.  Animals or insects with mysterious and magical powers.  Anything that can change from one form to another. Mysterious or puzzling phenomena.

 

How many kinds of Yokai are there in Japan?

As a rule, it is said that there are about a thousand different species of yokai.  But if you limit it to those that have appeared in pictures or those about which we have some information, then it is really roughly four hundred different species.

But there are many yokai of other countries.  Nobody knows the number of worldwide yokai.

What is the largest Yokai of them all?

 That is the Onyudo.  The body of the Onyudo is as large as Mt. Fuji.  However, it is said that even if angered the Onyudo would never cause harm to humans.

Further Reading:

For more Types of Yokai, check out:

6 Types of Japanese Yokai From Showa

When Food Attacks – 6 Types of Food Yokai From Japan

10 Famous Japanese Ghost Stories

What’s the Difference Between Yurei and Yokai?

A Brief History of Yokai

Zashiki Warashi

Translated from Mizuki Shigeru’s Yokai Daihyakka

Zashiki warashi are a yokai from the Tohoku region of Japan.  They live in the rafters of ceilings or in old storehouses.  One of the mysteries of zashiki warashi is that they always take the appearance of small children, and never of adults.

In Iwate prefecture, zashiki warashi are said to appear in many of the local Elementary schools, and play with the children.  At nine o’ clock, dressed in a white kimono, the zashiki warashi slip through cracks in the door and play around between the desks and chairs, having a great time.  Of course, only the children can see the zashiki warashi as they romp around the classroom.

Also, about a hundred years ago in Tokyo, zashiki warashi were said to live in the storehouse of a man named Umehara Sotoku.  Whenever any human went into the storehouse they would suddenly be overcome by the need to urinate and would have to flee running from the storehouse.  It was said that this was due to the presence of the zashiki warashi.    Also, sometimes at night the sound of something striking a metal pole could be heard.

One year, there was a fire near that house and the flames rapidly spread.   The family was busy bringing the furniture out of the house when a child that no one knew was seen running out of the storehouse and helped carry the furniture into the cellar for safekeeping.   Even though they tried, no one got a good look at his face.  When all of the goods and people were safely in the cellar, the door was shut tight but the small boy was no were to be seen.

That old storehouse was nothing special, the kind that could be found anywhere.  But high up on the shelf that was used to store charcoal there was a box about 15 by 16 centimeters that no one ever touched.  Most likely that was the home of the zashiki warashi.

The old storehouse did eventually burn down in a fire in the middle of the Meiji period, and from then on the zashiki warashi was never seen or heard from again.  I wonder where it went?

Further Reading:

Read more about Zashiki Warashi on hyakumonogatari.com

On Zashiki Warashi

 

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